I’m sitting here at my computer sweating deadlines and
titles. Titles are negotiable, deadlines aren’t.
I’m under deadline for my Artist’s Lane Column, a blog for
my website, and the biggest deadline of all, my trip to St. Louis, Missouri.
I’ll be attending a National Writer’s Conference there and I leave tomorrow.
I’ve spent every minute from 5 in the morning until 9 at
night getting ready for this conference. When presenting a book to a publisher
I can’t just show up with a great idea. I have to have a completed manuscript
on a flash stick and a proposal.
Also, I will need to be prepared with a high-concept pitch,
a killer title and a wow one line with an emotional hook. I’ll need a
four-color one sheet with the branding logline and a short synopsis. I’ll also
need a short bio, a long bio, business cards, and a hardcopy of three chapters,
clean and tight. They all have to be in a packet, and I’ll have fifteen minutes
in an interview to deliver my idea to a publisher and an agent.
The title on my second novel has been changed so many times
I can’t count them all. The title has been syrupy sweet, soft, or too
provocative. I finally settled on one. The publishing world says the title and
a one line will sell the book to a publisher. If those two things don’t hook
them, I’ll miss my chance for now to get this book published.
They say your title and your one line is like a pickup line.
If you hook the publisher with those two things, then he’ll invite you to
lunch. Lunch being, he’ll listen to a one-paragraph synopsis of your book. If
he likes what he hears and is interested, then it’s dinner, he’ll ask for the
manuscript.
When my friend told me what he thought the title should be
for my book, I said, “Wow, I like it. It’ll go from the pickup line to the
bedroom. It’ll miss lunch and dinner.”
I thought, The
Polygamist’s Lover would be a great title. It definitely has a hook. Another friend said he would pick up the book
in a minute with a title like that. My editor friend said, “You can’t deliver
that title. You can’t produce the goods. You’ll either have to change your book
or change the title. Do you want to be known with that title? It smacks of a
Harlequin novel. They’ll be eating your lunch.”
I had to think about it, and then I agreed. So I was back to
square one with the deadline only four days away. All my material, with that
smoldering title had to be changed to something else. I didn’t have a title,
not even a glimmer of one. I was told that a Christian Publisher would turn
that title down immediately. I was sweating bullets. That’s the reason I was
going to this very expensive writer’s conference with hotel and airfare in the
first place.
Three days before conference, my editor friend came up with
this title. Within one day, all the promotional material was changed.
As my readers, I want to run it passed you. What do you
think? It’s got to hook the publisher and the reader.
I think it’s strong, but what do I know, I liked The Polygamist’s Lover. This novel will
be called for now, Under Heaven’s Rage. My
one line with an emotional hook will be, “A rancher’s wife rebels against her
husband’s decision to take a second wife; if she loses this battle, she will
lose everything.”
Final Brushstroke! I’ll let you know if I get invited to
lunch and to dinner, and if this title and one line concept sells my novel. If
not, I’ll be eating and paying for my own lunch.
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