I told a group of writers this week that I wrote without a
filter. It sounds dangerous I know— small town, gossip and such, but I don’t
know how to write any other way. There is a vast difference in readers, how
they see you or don’t see you behind your words. They could take them all
wrong, but you can’t do any thing about it, if you want to write.
Being a writer is probably the most self-exposing career you
could choose. It comes with the territory. If I was to give any advice to
writers I’d say be honest, write from your heart’s passion. Be childlike and
write to the audience of One— One being, God. Commit your words and yourself to
Him and become vulnerable. Let Him take care of the readers.
I sent out my writing to a new critique group this week. I
told them to be kind. I didn’t know how they would critique my words, with a
red pen or a machete. I quit hiding behind a mask a long time ago. I’ve taken off
the pretense. The days of being
something other than who I really am is over. I can’t think of being anyone
else but me. It fits me. I used to apologize for being me. Wow! That was a
waste of good words and time.
A writer friend said to me, “I was told you don’t want to
hang out your wash in the front yard.”
Maybe I should be taking her advice, but if a person hangs
out clean laundry, does it really matter? Just asking.
Another writer friend said that she saw her life so pitiful
and her writings were so sad and negative she didn’t want to leave behind her
words for her children to see. She made up a character she writes about and
uses humor. Her writings are so funny you don’t see her life as pitiful. You
see her words as real. You just wished you could write like her. If she had
quit writing we would have missed her life.
My daughter said she’d have to describe my writing as about
nothing. Kind of like the television program, Seinfield, which was based on the concept of nothing, a lot about
nothing.
I googled some of the favorite quotes on Seinfield. Their
lines are priceless. Those writers probably wrote from their own inadequacies
and have faced those same situations themselves. Everyone can identify with
their made-up characters because they are us. We just live in another state.
One of the finest roles for a character ever written was
George in Seinfield. That role was
tailor-made for him. When George said, “Like I don’t know that I’m pathetic.” Or
when he took a picture of someone in a casket so he could fly free, we all
laughed because it was so truthful.
I can’t think of Jason Alexander as anyone other than George
Costanza. His 5’5” short frame, balding, even a little on the heavy side makes
him George. No other role he’s done has fit him so perfect. A misfit, but
unforgettable. There are a lot of Georges around and we all love them. They
probably don’t love themselves, though. The bigger the flaws in a character the
more redeemable they become to the reader and they make the best stories.
My advice to writers is this, write those made-up
characters, but make them real, show their flaws. You have to become childlike
yourself. Children do not know to hide themselves from the world.
When I read this quote, these words went through me like a
laser beam. It cut away any pretense I had of myself. How can I be anything but
real when I read something like this?
William Barclay said that when Jesus went to the cross, he
said, “Into Your hands I commit My spirit.” It was a child’s prayer. It was the
Jewish version of saying, “Now I lay me down to sleep.”
Final Brushstroke! When I lay myself down to sleep at night
I commit myself, and what I’ve done during the day, into God’s hands. I trust
Him to read my words to the readers. I am probably more like George than I want
to believe.
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